Based on the true story of the family who survived a similar ordeal, “On a Wing and a Prayer” follows Doug White (Dennis Quaid), a dutiful husband to Terri (Heather Graham), dad to his two girls Maggie (Jessi Case) and Bailey (Abigail Rhyne), a loving brother to Jeff (Brett Rice), a friendly neighborhood pharmacist, a budding pilot, and a proud Louisiana resident. He is a man of faith whose religion is shaken by the sudden death of his brother. Looking to pick his spirits up on Easter Sunday, Terri talks the pilot of their next flight into letting Doug sit in the co-pilot seat up front. It’s blue skies as far as the eyes can see—until their pilot slumps in his seat, dead. Now it’s up to Doug to protect his family and get them back to earth with a little help from Divine Intervention and some well-timed radio and phone calls to get the worldly coaching he needs to fly his plane. 

McNamara, who previously ventured into religious movie waters with “Soul Surfer,” boils the premise down to familiar beats and motifs. The grieving patriarch who turns his back on God course-corrects back onto his religious tracks when facing doom. A control tower worker named Dan (Rocky Myers) struggles with alcohol and chasing women until the events of that day and magically reforms by nightfall. A couple in Connecticut, Kari (Jesse Metcalfe) and Ashley (Anna Enger Ritch) are on their way to a breakup when they instead team up to avoid disaster. Nothing is surprising or interesting about these shallow one-note stories. We know where they’re going because screenwriter Brian Egeston’s dialogue painstakingly overexplains what’s happening as we’re watching it happen, and because some moments of the movie have all the acting and visual finesse of a Hallmark Channel movie. If you missed the earlier signs, maybe the obvious music cues will help: “Spirit in the Sky” accompanies take off, and then a cover of Leonard Cohen’s “Hallelujah” is used in the film's climax. 

My frustrations with “On a Wing and a Prayer” go beyond its simplistic “1+1=2” screenwriting, cheap visual effects, and cable-ready cinematography. McNamara and Egeston don’t trust the suspense of their story to work on its own, so other issues are thrown into the mix, like a surprise storm; a random allergic reaction; and a precocious aspiring aviatrix named Donna (Raina Grey) and her clueless but enthusiastic friend, Buggy (Trayce Malachi), who spend much of their screentime explaining the air control tower jargon and how they’re doing it wrong. These are not characters; they are storytelling devices at their most obvious and annoying. At one point, as the kids are following the potential disaster, Donna says that she wants to become a pilot like her dad “Because one time after science class, Mr. Jones said I couldn’t.” The moment feels wildly glib, like the filmmakers tried to shoe-horn in a girl interested in airplanes because the rest of the women in the cast are just along for the ride.